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Martin Lohse |
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born in 1971, he began his education at the Musical
Science Institute in Copenhagen (1990–92). In 1995 he was admitted to
the Royal Academy of Music, where he studied composition and music theory.
In 2000 he started a postgraduate course in composition at the academy. Selected works: Draghae for solo piano (1996–97), For at forfNlge det hÆb… for mezzo-soprano and violin, to a text by Kim Mortensen (1996), xxx, electroacoustic music (1997), Istid for clarinet, violin, cello and piano (1997), Vaerk for StorstrNms Kammerensemble for flute, clarinet, bassoon, trombone, piano, violin, viola and cello (1998), Det dNende Barn for four-part choir with words by h. c. Andersen (1998), Lurid Light for symphony orchestra (1999), Kanon og rytmiske glissader for solo cello (1999), Nationalsang med tilbagekobling to words by Klaus HNeck (1999), Canon and canon, electroacoustic music (1999), haiku for clarinet, violin, cello and piano (1999), Vibration in Blue and Yellow, electroacoustic music (1999), haiku for twelve-part choir, trans. by Hans-JNrgen Nielsen (1999), Otte spil for klokker for bells (2000), Smoke for clarinet, violin, cello and piano (2000), Sand Drifting for solo oboe (2000), Vibration in Blue and Yellow ii, electroacoustic music (2000), Concerto for Clarinet, Violin, Cello and Piano (2001), Concerto ii for Recorder and Accordion (2001), Scream No. 9 for tape (together with Carsten Bo Eriksen, 2001), Magma for orchestra (2001), Forandring for large instrumental ensemble (2002), Repeat for clarinet and electronics (2002), Entity for violin with delays (2002), Darkened sea – it’s winter for tape (2002), Prelude for organ (2003), Psalm 22 for tape (2004), Movement for tape (2004), The steadfast tin soldier for choir, orchestra and reciter (2004). Images balancantes of times |
