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Marco Marinoni

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born in 1974 in Italy, he studied composition with Mario Garuti at the Arrigo Boito Conservatory in Parma. He participated in seminars and masterclasses given by Lachenmann, Sciarrino, Grisey, Pou-sseur, Levinas and Berio. At present he attends a course in computer music under the guidance of Alvise Vidolin at the Benedetto Marcello Conservatory in Venice and studies psychology at the University of Milan.
He won the ‘Prix du Trivium’ at the 29th International Competition of Electroacoustic Music in Bourges (2002, for To Walk the Night) and was a finalist of the International ‘Gaudeamus’ Competition (2002–03). In 2004 his piece was selected for the Acanthes Composition Workshop.
Marinoni’s music has been featured at numerous festivals, competitions and workshops, including the First Paganini International Guitar Competition in Parma (1999), ‘Compositori a Teatro’ in Man-tua (1999), ‘Doppio Gioco Stagione’ in Lugano (2000), ‘Musica nei Chiostri’ in Milan (2001), Valsassina Festival (2001), ‘Synth¬se’
in Bourges (2003), the 14th Colloquium on Music Informatics in Florence (2003), the 12th International Review of Composers in Bel-grade (2003), Citt± di Udine (2001–02), the ‘Gaudeamus’ Inter-national Music Week (2003), ‘Atelier sgnm 2000’, ‘Compositori
a Confronto’ in Reggio Emilia (2001, 2002, 2003), and ‘Nuova Con-sonanza’ in Rome (2003).
His works have been broadcast by thirty one radio stations. Luce nera – fase 14 is available on cd (the Aliamusica label, Parma), and To Walk the Night was released by Mnemosyne Musique Média, Bourges (Culture Electroniques, No. 16).

Selected works: Alif for amplified guitar (1999), Mimesis for flute, bass clarinet, violin and cello (1999), Nello spazio delle fasi for horn in f, tenor trombone, tenor saxophone, piano and percussion (2000), Luce nera for violin, viola, cello and piano (2001), Dissection for string quartet (2001), Luce nera – fase 14 for violin, cello and piano (2001), Blank Spell for string quartet and electronics (with Stefano Trevisi, 2001–02), Song for a Drowning Flower for cello and electronics (2002), To Walk the Night for flute, percussion, piano, violin, cello and electronics (2002), Black Crystal for flute, piano, violin, viola and electronics (2002), Del vuoto incanto for 16-channel tape (2003), Of shape and action for 4- or
8-channel tape (2002–03), And Sound Alone for 4-channel tape (2003), The Dying of the Light for 4-channel tape (2003), In the Blinded Room for 4- or 8-channel tape (2003), La materia oscura for violin, viola and cello (2003), Dove la luce for semi-acoustic guitar, keyboard, piano, violin and live electronics (2003–04), Wahn for piano and live electronics (2004), Nothing-Frame for electric bass and live electronics (2004).

To Walk the Night
The geometry of collision.
Vertical drift.

Absence. Colour (light).
Expansion of contiguity into the shape of unity.

Events’ horizon.

Singularity.
In the darkness the dream of her. Time stands still.

The piece was written in 2002. It was premiered on 1 September 2003 by Nieuw Ensemble conducted by Jurjen Hempel, during the Gaudeamus International Music Week in Amsterdam.

Marco Marinoni