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Wojciech Ziemowit Zych

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born in Warsaw in 1976, he studied composition with Marek Stachowski at the Music Academy in Kraków (diploma with distinction, 2001). He continued his studies with Peter-Jan Wagemans at the Rotterdam Conservatory (2001–02).
His works have received several awards including the main prize in the category of compositions for string orchestra with solo instrument at the 2nd Andrzej Panufnik Competition for Young Composers in Kraków (2000) and an honourable mention at the Tadeusz Baird Competition for Young Composers in Warsaw (1997). He held grants from the Polish Ministry of Culture (1998, 2000, 2002), the Netherlands Organization for International Cooperation in Higher Education (nuffic) for postgraduate studies at the Rotterdam Conservatory, the ‘Warsaw Autumn’ Friends’ Foundation with funds from the Ernst von Siemens Musik-stinftung, the City of Kraków and the Marshall of the Podlasie Province.
His works were performed at the ‘Warsaw Autumn’ Festival (2000, 2002) and the International Days of Music by Kraków Composers (1998, 2000, 2001). He participated in the International Summer Courses for Young Composers in Radziejowice (1997), the Course for Young Composers under the patronage of the Music Academy in Gdańsk (1998), and the International Composers’ Course in Buckow nr Berlin (1999).
In October 2002 he started to work as an assistant in the Faculty of Composition of the Department of Composition, Conducting and Music Theory of the Music Academy in Kraków.

Selected works: Christmas Carol 1942 for mezzo-soprano and chamber orchestra with words by Krzysztof Kamil Baczyński (1997), Epiphanium for trumpet, strings, harp and celesta (1998), On This and the Other Side, two songs for dramatic female voice, harpsichord and viola to a text by Justyna Michałowska (1998), Sonoaudicon for saxophone quartet (1999), Soliloquium I ‘Boiling-hot Mind’ for chamber ensemble (1999), Soliloquium II ‘A Landscape of Frozen Thoughts’ for bass clarinet and
20 string instruments (1999), Des Mädchens Wunderwelt geschlossen for flute, viola and harp (2000), Mille coqs blessés ± mort for large chamber ensemble (2000), Ballade I for bass clarinet, cello and harp (2002), Meanders – Layers – Mechanisms for large chamber ensemble (2002–03), Concerto for Bass Clarinet and Orchestra (2003), Ballade II for violin, bass clarinet and marimba (2003) Hommage ± Tadeusz Kantor for orchestra (2003) Enfant terrible for chamber ensemble (2003–04), Kaspar Hauser’s Friends for chamber ensemble (2004).