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born in Hillegom (The Netherlands), received her basic musical education at
an early age but then decided to first enroll for her academic studies of
Greek and Latin at Leiden University. She subsequently studied singing at
the Royal Conservatory in The Hague and choral conducting at the
Conservatory in Rotterdam. While
a student, she was a member of the Capella Amsterdam, Nederlandse
Bachvereigning, and Kamerkoor Nieuwe Muziek. Having gained her
conductor’s diploma (1996), she was appointed an assistant at the
Musikhochschule in Hanover.
In recent years she has concentrated on singing. As a member of
‘Schola Heidelberg’ (directed by Walter Nussbaum), she has
participated in many first performances, radio broadcasts and cd productions.
She also appears regularly with the Rheinische Kantorei, ndr-Chor (Hamburg),
Balthasar-Neuman-Ensemble (dir. Th. Hen-gelbrock) and rias-Kammerchor.
In addition to the classical repertoire, Truike van der Poel has been
acclaimed for her performances
of the music of the turn of 19th
century (Mahler), 20th-century classics as well as new music (Ustvolskaya,
Ligeti, Spahlinger, Lachenmann). In 2002 she sang in a chamber opera by
Carola Bauckholt at the Rheinisches Musikfest in Aachen and gave the first
performances of pieces by Caspar Johannes Walter in Darmstadt (with Reinhold
Friedrich, trumpet, and Ensemble Resonanz). She also gave the first
performance of Salvatore Scarrino’s Due smarrimenti in Cologne. In
February 2004, she was a soloist in Luigi Nono’s Il Canto sospeso in
Honover (cond. Walter Nussbaum).
Truike van der Poel has collaborated with Ensemble TrioLog (Munich), Koelner
Violenconsort, ‘Resonanz’ (Hamburg), and
‘Avantgarde’ (Leipzig). She has developed particularly close
links with the Thürmchen Ensemble.
thürmchen ensemble
was founded in 1991 by the composers Carola Bauckholt and Caspar Johannes
Walter, and the conductor Roland Kluttig. It specializes in contemporary and
experimental repertoire, exploring new avenues in music. Its programmes
comprise solo works, conducted ensemble pieces, and music written for the
stage. It has given world premieres of over eighty pieces as well as
numerous German premieres. In recent years it has concentrated on the
promotion of composers from various countries who have so far had little
chance of public exposure. Concerts featuring the music of
a single composer are another specialty of the ensemble. Carola Bauckholt,
Helmut Oehring, Thomas Stiegler, Manos Tsangaris, Maria Cecilia Villanueva
and
Caspar Johannes Walter have
been featured so far.
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