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Warsaw
Philharmonic Choir |
Warsaw Philharmonic Choir began
its activity in 1953 under Zbigniew Soja. Its successive directors were
Roman Kuklewicz (1955–71), Józef Bok (1971–74), and Antoni Szaliński
(1974–78). Since 1978 the Choir’s Artistic Director has been Henryk
Wojnarowski.
In addition to regular performances in the subscription series of
symphonic and choral-orchestral concerts of the Warsaw Philharmonic
Orchestra as well as a cappella performances in the Warsaw Philhar-monic
Hall, the Choir performs regularly at the Warsaw Autumn and the
Wratislavia Cantans Festival in Wrocław.
Foreign tours have taken the Warsaw Philharmonic Choir to Austria, Belgium,
Denmark, Finland, France, Germany, Greece, Iceland, Israel, Italy, Latvia,
Lithuania, Russia, Spain, Switzerland and Turkey. It has
performed with such renowned orchestras as the Munich Philharmonic, the
Berlin Radio Symphony Orchestra, the rias Orchestra, the Bamberger
Symphoniker, Tel Aviv and Jerusalem Symphony Orchestras, the Accademia
Nazionale di Santa Cecilia Orchestra in Rome, the Brussels Opera
Orchestra, the Palermo Symphony Orchestra and the Orchestra of Milan’s
La Scala.
Highlights in the Choir’s history have included the invitation to take
part in the La Scala production of Donatoni’s Atem in 1985. Following
this operatic debut, the Warsaw Choir was invited to La Scala again to
sing in Weber’s Oberon (1989) and Beethoven’s Fidelio (1990). It also
sang in Stravinsky’s The Rake’s Progress (1986) and Mozart’s The
Magic Flute (1987) at La Fenice in Venice; in Beethoven’s Fidelio in
Paris (1989), Szymanowski’s King Roger (1992), Stravinsky’s Oedipus
Rex (1993) and Honegger’s Antigone (1993) in Palermo and Rossini’s
L’Italiana in Algeri in Pesaro. In 1988, 1990 and 2001 the Choir took
part in gala concerts for Pope John Paul II in the Vatican.
The Warsaw Philharmonic Choir has appeared with leading Polish and foreign
conductors including Gary Bertini,
Sergiu Comissiona, Henryk Czyż, Jacek Kaspszyk, Kazimierz Kord, Jan
Krenz, Lorin Maazel,
Jerzy Maksymiuk, Zubin Mehta, Grzegorz Nowak, Seiji Ozawa, Krzysztof
Penderecki, Witold Rowicki, Jerzy Semkow, Giuseppe Sinopoli, Stanisław
Skrowaczewski, Leopold Stokowski, Igor Stravinsky, Stanisław Wisłocki,
Antoni Wit, and Bohdan Wodiczko.
The repertoire of the Choir includes over 150 oratorios and a cappella
works from the Middle Ages to contemporary music, with special attention
given to Polish music, notably the works of Krzysztof Penderecki. The
Choir has performed all of his oratorios and a cappella works. The latter
performances were released on records, as were the St Luke Passion (twice),
the Polish Requiem, Seven Gates of Jerusalem and Credo. A recording of the
St Luke Passion under Penderecki himself received a Grammy nomination in
1991. The Choir’s discography also includes Handel’s Messiah, Israel
in Egypt and Judas Maccabaeus, Verdi’s Requiem, Mozart’s Requiem,
Beethoven’s Fidelio and Symphony No. 9, Berlioz’s La Damnation de
Faust, Bruckner’s Te Deum, Elsner’s Passion, Szymanowski’s Harnasie
and Symphony No. 3, Roman Maciejewski’s Requiem and Wojciech Kilar’s
Missa pro pace.
In November 2003, the Warsaw Philharmonic Choir celebrated its 50th
anniversary.
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